A Midsummer Night's Dream (Oxford Shakespeare)
A Midsummer Night's Dream (Oxford World's Classics)
William Shakespeare
ISBN: | 9780192834201 |
Publisher: | Oxford University Press, USA |
Published: | 2 April, 1998 |
Format: | Paperback |
Language: | English |
Links | Australian Libraries (Trove) |
Editions: |
121 other editions
of this product
|
- A Midsummer Night's Dream
- A Midsummer Night's Dream (Oxford Shakespeare)
- A Midsummer Night's Dream (The New Cambridge Shakespeare)
- All's Well That Ends Well
- All's Well That Ends Well
- Midsummer Nights Dream (Bedford Shakespeare S.)
- Much Ado About Nothing
- Pericles, Prince of Tyre
- The Comedy of Errors
- The Merry Wives of Windsor
- The Taming of the Shrew
- The Taming of the Shrew
- The Tempest
- The Tragedie of Julius Caesar: Applause First Folio Editions (Applause Shakespeare Library Folio Texts)
- The Two Gentlemen Of Verona
- The Winter's Tale
- Twelfth Night, or What You Will
A Midsummer Night's Dream (Oxford Shakespeare)
A Midsummer Night's Dream (Oxford World's Classics)
William Shakespeare
A Midsummer Night's Dream is perhaps the best loved of Shakespeare's plays. It brings together aristocrats, workers, and fairies in a wood outside Athens, and from there the enchantment begins. In the introduction to this edition, Peter Holland pays particular attention to dreams and dreamers, and to Shakespeare's construction of a world of night and shadows. Both here and in his commentary he explores the play's extensive performance history to illustrate the wide range of interpretations of which it is capable. - ;A Midsummer Night's Dream is perhaps the best loved of Shakepeare's plays. It brings together aristocrats, workers, and fairies in a wood outside Athens, and from there the enchantment begins. Simple and engaging on the surface, it is none the less a highly original and sophisticated work, remarkable for both its literary and its theatrical mastery. It is one of the very few of Shakespeare's plays which do not draw on narrative sources, which suggests that it reflects his deepest imaginative concerns to an unusual degree. In his introduction Peter Holland pays particular attention to dreams and dreamers, and to Shakespeare's construction of a world of night and shadows. Both here and in his commentary he explores the play's extensive performance history to illustrate the wide range of interpretations of which it is capable. -
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