Over the objections of her spiteful daughter-in-law and despite her own sentimental misgivings, the sharp-witted, tweed-wearing widow Maudie Todhunter is selling the remote Cornish farmhouse left to her by her husband, Patrick. In A Week in Winter, her first book to be published in the U.S., British author Marcia Willett explores the competing claims of love, memory, and duty. Maudie knows that her beloved granddaughter Posy would have liked to inherit Moorgate. But she is surprised to learn who else wants the old house and what secrets unfold as she puts Moorgate on the market. What makes A Week in Winter a "women's" novel (and may narrow its appeal) is its slow development--nothing is rushed here--and a tendency to linger in the moment, savoring emotional nuances and fine points of plot and character. At best, this makes the novel a smooth and leisurely read, but it can also bring the action to a crawl. To compensate, Willett provides some mysterious clues that lend a Gothic aura to an otherwise straightforward tale of giving up a much-prized object in the hope that something better will arrive. --Regina Marler